The Criterion Collection
Essays
Oct 27, 2009 — Who speaks of Howards End these days? Who expounds on the virtues of this magnificent drama, whose traditional style seems almost as distant as its Edwardian setting? Seen today, years past its 1992 release, it strikes one as not only...
Essays
Jan 20, 2026 — The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.
On the Channel
Sep 18, 2025 — This month’s programs offer a feast of horror, including a John Carpenter retrospective and a collection of the most terrifying films of the 2000s.
The Daily
Jun 18, 2024 — We’re diving deeper this month into a new Elaine May biography and memoirs from Susan Seidelman and Griffin Dunne.
Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.
The Daily
Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.
The Daily
Apr 5, 2018 — Locarno in Los Angeles, the series curated by Acropolis Cinema founder Jordan Cronk and co-artistic director Robert Koehler that brings a batch of the best films screened last summer at the increasingly vital Swiss festival, opens today and runs through...
Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-five-year career as a writer-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...
The Daily
Oct 23, 2024 — Selections from this year’s lineup will screen in New York and Los Angeles.
The Daily
Sep 15, 2023 — This week features interviews with Martin Scorsese and Arturo Ripstein and appreciations of Tout va bien and Boris Karloff.