Aug 18, 2020 A sensuous exploration of amorous discontent and dreadful miscalculation, The Comfort of Strangers (1990) could be described as an erotic thriller, though it rarely is: its eroticism is too perverse, its pedigree too highbrow. Directed by Paul Schrader and based...

August Books

The Daily

Aug 17, 2020 Louise Brooks, Oliver Stone, James Stewart, Andy Warhol, and more are here to help relieve this year’s summer doldrums.

Aug 12, 2020 Mia Hansen-Løve makes delicate, graceful films about overpowering emotions. After beginning her career in front of the camera, acting in Olivier Assayas’s Late August, Early September (1998) and Les destinées (2000) as a teenager, she transitioned to directing at the...

Aug 11, 2020 The Complete Films of Agnès Varda It’s the other famous shot in The Gleaners and I (2000) of Agnès Varda’s reaching hands. Not the one she said was taught around the world as the heart of her documentary-making, where, in...

Aug 11, 2020 The Complete Films of Agnès Varda The poster for the seventy-second Cannes Film Festival, held in May 2019, used a photograph taken during the shooting of Agnès Varda’s first film, La Pointe Courte, in 1954. Wearing rolled-up trousers, a shirt,...

Postpandemic Plans

The Daily

Aug 11, 2020 Gina Prince-Bythewood, Pedro Almodóvar, Ellen Kuras, and Paolo Sorrentino are among the filmmakers who have lined up projects to take on as soon as it’s safe.

Aug 10, 2020 A slyly feminist film by the only woman directing in the Hollywood studio system of her thirties-and-early-forties heyday, Dorothy Arzner’s Dance, Girl, Dance stands as one of the era’s most groundbreaking—and entertaining—backstage sagas. And as it turned out, a different...

Aug 6, 2020 The renowned documentarian allows prisoners in Iran to tell their own stories.

Aug 5, 2020 Lucrecia Martel, Lav Diaz, Helena Wittmann, and Lisandro Alonso are among the directors who will present projects interrupted by the pandemic.

Jul 31, 2020 This week we’re reading about Stanley Kubrick, Jean-Luc Godard, Luchino Visconti, Amy Seimetz, and the cinematic allure of fictional cults.

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