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The Goumbé of the Young Revelers

Apr 23, 2015 Repertory Picks Red, Krzysztof Kieślowski’s final film, and the conclusion of his Three Colors trilogy, was the capstone of a brilliant cinematic career. Though some of its power comes from its subtle connections to the earlier films in the series,...

Apr 6, 2015 In 2004 and 2005, the makers of Hoop Dreams, in collaboration with Criterion, revisited the documentary’s principle figures, Arthur Agee and William Gates, along with their families, to see what had been happening in their lives since the film’s premiere...

Spring in New York

In Theaters

Apr 2, 2015 Repertory Picks New York’s Japan Society is in the midst of celebrating two of Japanese cinema’s biggest stars in the screening series The Most Beautiful: The War Films of Shirley Yamaguchi and Setsuko Hara. Focusing on films made before, during,...

Feb 4, 2015 Isabelle Huppert was a rising star when Jean-Luc Godard cast her in the part of prostitute Isabelle Rivière in his 1980 film Every Man for Himself. In this excerpt from a new interview with Huppert on our release of the...

Elms: A Cine-Essay

Sneak Peeks

Jan 27, 2015 Guy Maddin’s current filmmaking partner, the also Winnipeg-based Evan Johnson (with whom Maddin directed his upcoming feature, The Forbidden Room), created four original short “cine-essays” as supplements for Criterion’s release of Maddin’s My Winnipeg. Below is one of them, titled...

Jan 5, 2015 Who is Tootsie, anyway?

Dec 5, 2014 A film about garlic? Only Les Blank could pull it off. In this clip from a new supplement on our release Les Blank: Always for Pleasure, we get the story of how Blank’s pungent documentary Garlic Is as Good as...

Dec 5, 2014 Earlier this week, we had a party for the release of our new book, Criterion Designs, at the Society of Illustrators in New York. Our friend the filmmaker :: kogonada brought the following video, in which Criterion artwork comes to...

Nov 21, 2014 Frank Capra’s It Happened One Night would seem to have all the earmarks of the great Hollywood genre the screwball comedy, but the jury has long been out on whether it can be classified that way, as it was released...

Nov 4, 2014 In cinema history, there truly is no gag like a Tati gag.

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