The Criterion Collection
Sep 3, 2007 — Jim Jarmusch is a difficult director because he works from the frontiers. What does it mean to be a “frontier” director in the film world today?It means a clear refusal, for ethical and aesthetic reasons, to be part of the...
Essays
Aug 20, 2007 — David Mamet’s debut film was a welcome throwback to the primacy of character and careful story construction, at a time when narrative intricacy was in short supply on American movie screens.
Jul 9, 2007 — Hiroshi Teshigahara’s late work is a masterful amalgam of high international modernism and traditional Japanese fine arts.
Essays
Jun 11, 2007 — Claude Berri’s witty comedy-drama depicts Nazi sympathizers with three-dimensional candor, neither whitewashing nor apologizing for their misguided ideas.
Mar 26, 2007 — Across five films, the Swedish director defined his guiding themes and cinematic style.
Oct 23, 2006 — Throughout the sixties and seventies, the Italian director created a series of political dramas that were at once provocations, exposés, puzzles, and acts of virtuosity.
Jun 19, 2006 — Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.
Essays
Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.
Jan 11, 2006 — The typical midlife crisis, to which we all fall victim in some major or minor degree, came to Fellini with a slight delay. On the twentieth of January, 1960, the day of his fortieth birthday, he was, in fact, too...
Jan 10, 2005 — Seijun Suzuki made a breakthrough with his second feature, a yakuza thriller full of devil-may-care assurance and try-anything imagination.