We Own the Night

Feb 16, 2018 — “The responsibility of being a gay film critic,” writes Michael Koresky, “to borrow a phrase from the great Robin Wood, is to be honest about your responses as an individualized viewer, and to balance questions around identity with a film’s...

Feb 14, 2018 — With her acclaimed new film Western opening in theaters this week, we spoke with German director Valeska Grisebach on the romantic ideals of the quintessential American genre.

Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...

Jan 31, 2018 — The SXSW Film Festival, whose 2018 edition runs from March 9 through 18, has announced a lineup of 132 features—with more on the way. With descriptions from the festival . . . Narrative Feature CompetitionFamily. Director/Screenwriter: Laura Steinel. When an...

Jan 21, 2018 — “In a festival that rarely wants for political currency,” writes Justin Chang in a dispatch from Sundance to the Los Angeles Times, “it’s surely no coincidence that Blindspotting and Monsters and Men, the first two films to screen in this...

Jan 18, 2018 — The lineups for the sixty-eighth Berlin International Film Festival, running from February 15 through 25, are coming hard and fast now. Today sees rollouts for the Forum, the main attraction for many a cinephile, and the Berlinale Series. With descriptions...

Jan 5, 2018 — For the seventh year running, the First Look festival at the Museum of the Moving Image in New York presents “formally inventive new works that seek to redefine the art form while engaging in a wide range of subjects and...

Dec 11, 2017 — Before we delve into the city-by-city breakdown, lets note that, following its announcement late last month of its narrative and documentary feature film competition lineups, Slamdance has unveiled the lineups for its Beyond and Shorts programs. Slamdance 2018 will run...

Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...

Dec 6, 2017 — We’ve seen the features—all of them—and the lineups for the new Indie Episodic section as well as the Shorts and Special Events. Today, the Sundance Film Festival, whose 2018 edition runs from January 18 through 28, presents the lineup for...