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The Watch

Nov 22, 1999 Grand Illusion is the masterpiece that earned Jean Renoir enormous acclaim in the United States, exciting the admiration of President Franklin D. Roosevelt and running for 26 weeks in New York after its opening in September 1938. Banned in Italy...

Nov 18, 1997 Erotic and antierotic, Crash the movie begins boldly enough with a vacantly lissome blonde (Deborah Kara Unger) dreamily opening her blouse to press a bare nipple against the enameled surface of an airplane fuselage before allowing a total stranger to...

Pulp Fiction

Essays

Jun 10, 1996 Ever since Quentin Tarantino’s Pulp Fiction created a sensation at [this year’s] Cannes Film Festival, where it won top honors (the Palme d’Or), it has been swathed in the wildest hyperbole. In fact, it has sparked an excitement bound to...

Sep 23, 1993 Two men, one woman and a boy. French director Bertrand Blier fashions out of this bizarre love quadrangle a film of seamless beauty, high farce and, finally, haunting majesty. To experience Get Out Your Handkerchiefs is to watch a master...

Wrapping 2025

The Daily

Dec 23, 2025 Head into the holidays with roundtables to watch, articles to read, and podcasts to listen to.

The singer-songwriter and visual artist talks about the punk sensibility of Jubilee, shares why Paris Is Burning is a film she can watch endlessly, and shouts out the Eurythmics’ unique soundtrack for 1984.

Emily Nussbaum is the Pulitzer Prize–winning television critic for the New Yorker. She is the author of I Like to Watch: Arguing My Way Through the TV Revolution.

Mar 20, 2026 This week: Thierry Frémaux on the Lumière brothers, Lynne Littman and Jane Alexander on Testament, and Christian Petzold on Hitchcock.

Sep 14, 2023 Male aggression threatens women’s lives in Kitty Green’s follow-up to The Assistant and Anna Kendrick’s debut feature.

Aug 13, 2016 On the occasion of what would have been the Master of Suspense’s 117th birthday, we’re looking back on a selection of essays and videos that explore his inexhaustible oeuvre.

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