The Criterion Collection
In Theaters
Aug 11, 2016 — Gus Van Sant’s groundbreaking 1991 work of New Queer Cinema, which follows the relationship between a narcoleptic haunted by feverish dreams of his past and the rebellious son of a mayor, is showing at the George Eastman Museum.
Feb 28, 2014 — The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...
Extending from the “kitchen-sink dramas” of the early sixties to contemporary masters like Ken Loach and Mike Leigh, the tradition of social realism in British film runs strong.
Aug 18, 2008 — One of the most awarded films in Japanese history, Keisuke Kinoshita’s nostalgia piece unfolds a celebration of family values and scenic beauty.
Jan 21, 2008 — Lindsay Anderson’s adaptation of David Storey’s novel is a clenched fist of a movie that follows a professional Rugby League player who instinctively channels feeling through physical aggression.
Essays
Nov 15, 1999 — Michael Powell’s controversial late film makes the cinema spectator’s own voyeurism shockingly obvious.
Nov 29, 2023 — To watch Matt Wolf’s revelatory documentaries is to see life as a moving collage in which the past and present are woven together. Over the course of nine intensely researched and intricately crafted features and shorts, Wolf has combined his passion for...
Essays
Feb 23, 2021 — Released in 1985, during the exuberant flowering of films by women brought on by second-wave feminism, Joyce Chopra’s Smooth Talk now feels less of those years than like a harbinger of the #MeToo movement, an early challenge to a cultural...
Features
Aug 13, 2020 — First Person In 1960 The Apartment was playing at Cinema Rialto and was advertised with a loud red poster. I was too young to see it at the time, but I do recall overhearing my parents describing it to their...
Nov 13, 2018 — Turning to theater for inspiration, Kenji Mizoguchi transformed a popular eighteenth-century play into a spiritually charged meditation on forbidden love and societal oppression.