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The King

Dec 10, 2019 Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyper­­bole in the statement; considering the role that...

Dec 10, 2019 Wim Wenders has often referred to his Until the End of the World (1991) as the “ultimate road movie,” and even he may not realize how accurate that description has turned out to be. It certainly was, and remains, the...

Jun 14, 2019 On the late Peter Whitehead, Jordan Peele’s Us, drag culture, European refugees, and images of incarceration

May 19, 2019 The Austrian director, a Cannes regular, is in competition for the first time with a chilly tale of a happiness-inducing flower.

Jun 12, 2018 Among the six movies Lino Brocka directed between 1974 and ’76, there were three landmark works that changed the course of his career and that of Philippine cinema: Weighed but Found Wanting (1974), Manila in the Claws of Light (1975),...

Mar 30, 2018 Our editions of Martin Scorsese’s The Age of Innocence and Edward Yang’s Yi Yi reach the UK this week.

Jan 22, 2018 Today, we celebrate Jim Jarmusch’s birthday with a look back at some of the writing we’ve published on his films over the years.

Dec 20, 2017 Over the past decade, contemporary Greek cinema has erupted onto the international film stage with a new vanguard of directors whose bold works share a taste for provocation and highly stylized worlds. This week on the Criterion Channel on FilmStruck,...

Jun 4, 2016 Wim Wenders’s road movies, Michael Almereyda writes, are “at once minimal and romantic, austere and lyrical,” focusing on questions—of individuals and society, culture and nature—that Wenders has returned to throughout his career.

Jan 21, 2016 In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.

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