The Criterion Collection
Interviews
May 29, 2019 — In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...
Jun 12, 2017 — Informed by his work in theater and his travels through rural America, Nicholas Ray brought an outsider’s perspective to genre filmmaking in his debut feature.
Dec 7, 2010 — Guillermo del Toro understands the power of fairy tales. Not the prettified romances of Charles Perrault, who tamed the Brothers Grimm for French drawing rooms, or the charming animal fables of Aesop, or the reassuring moral lessons Disney made of...
Jun 24, 2021 — Dustin O’Halloran is an Emmy-winning pianist and composer with four acclaimed solo albums under his own name. He’s also a member of the band A Winged Victory for the Sullen, with Adam Wiltzie. His film and television career began with...
Jul 10, 2015 — Sean Baker is a writer-director and cocreator of the television show Greg the Bunny. His movies include Prince of Broadway (2008), Starlet (2012), and Tangerine (2015). He says, “Writing this list was a little like Sophie’s choice for me. And...
Tech Corner
Dec 11, 2008 — Technical director Lee Kline, just back from Paris, where he worked on Last Year at Marienbad with Alain Resnais, reports: I was a little nervous to show Alain Resnais our new transfer of Marienbad, but I pushed hard to have...
Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...
The actor returns to the Criterion Closet, where he selects a few movies to watch with his kids, talks about his magical experience viewing Hobson’s Choice, and picks up a new edition of a film by his favorite director, Abbas...
The Daily
Nov 25, 2025 — Having broken through in over-the-top horror movies, Kier turned in arresting performances in films by Fassbinder, Lars von Trier, and Gus Van Sant.