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Apr 15, 2018 — La Semaine de la Critique, or Critics’ Week, has announced the lineup for its fifty-seventh edition, running from May 9 through 17 in Cannes. The opening film will be Paul Dano’s Wildlife, and I gathered a first round of reviews...

Apr 10, 2018 — New York. A new 4K restoration of Liquid Sky opens at the Quad on Friday. “At last,” writes Alan Scherstuhl in the Village Voice, “after sitting out the DVD and streaming eras, Slava Tsukerman’s 1982 neon-fired New Wave New York...

Apr 10, 2018 — In the run-up to the release of Zama on Friday, the Film Society of Lincoln Center in New York is presenting a retrospective of work by Lucrecia Martel. Starting tonight and on through Friday, Martel will be there to either...

Apr 9, 2018 — “Most famous for the exquisite 1979 family classic The Black Stallion, and, to a slightly lesser extent, 1996’s Jeff Daniels and Anna Paquin-starring drama Far Away Home, [Carroll] Ballard is—despite making only six films in a period of almost forty...

Apr 6, 2018 — Angela Schanelec’s films “represent the most innovative use of ‘conventional’ editing in narrative cinema since Pialat who, along with Bresson, has been a clear influence,” writes Michael Sicinski for the Notebook. “Schanelec’s contribution is what we might call the ‘epistemological...

Apr 4, 2018 — On what would have been his eighty-sixth birthday, we’re celebrating Andrei Tarkvosky’s legacy with a look back at some of the essays and videos we’ve published on his work.

Apr 4, 2018 — The sixty-first San Francisco International Film Festival opens tonight with Silas Howard’s A Kid Like Jake, and when it premiered at Sundance, IndieWire’s David Ehrlich called it “very much a ‘White People Problems’ movie, but it’s also a lot more...

Apr 4, 2018 — “It has been half a century since Werner Herzog released his first full-length feature, Signs of Life (1968) which depicts a wounded German WWII paratrooper losing his mind on a torpid Greek island,” writes Joseph Hincks, introducing his interview for...

Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

Apr 2, 2018 — Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...