One Week

Jul 29, 2022 — We head back to the 1940s in Los Angeles, the 1960s in New York and Paris, and to every summer you remember.

Jul 28, 2022 — Directing the Monkees in Head and Jack Nicholson in Five Easy Pieces, Rafelson was a key figure of the New Hollywood.

Jul 26, 2022 — The festival selects urgent documentaries, starry portraits, and family dramas.

Jul 22, 2022 — Films by Jordon Peele, Ethan Hawke, and Lucile Hadžihalilović arrive along with a series tracing the path of the Method.

Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

Jul 8, 2022 — The actor brought a wiry tension to his roles in The Godfather, Thief, and Misery.

May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.

May 20, 2022 — Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

May 16, 2022 — This month we’re reading about David Fincher, Sofia Coppola, Hong Sangsoo, and Werner Herzog.