One, Two, Three

Jun 7, 2017 — With revivals of Japanese films being presented in the coming days in New York, Chicago, Berlin, Cologne, and Vienna, a quick reminder: As noted yesterday, the lineups for the New York Asian Film Festival (June 30 through July 13) and...

May 30, 2017 — Now that the Cannes Film Festival has wrapped, we’ve got some catching up to do. Let’s begin with Scout Tafoya’s report for the Village Voice on a recent symposium “on film criticism and scholarship commemorating the legacy of German film...

Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.

Sep 13, 2016 — Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.

Aug 16, 2016 — Stig Björkman’s candid documentary gathers a wealth of material from Ingrid Bergman’s personal archive, revealing the star as a fastidious collector of her own memories.

Mar 24, 2014 — Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.

Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...

Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.

Feb 5, 2013 — Keisuke Kinoshita’s most experimental film is a resplendent, kabuki-inspired, folk-derived drama about mortality.

Sep 18, 2012 — Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.