Jun 16, 2017 The title of the first part of Tom Paulus’s projected three-part essay for photogénie, “The Love Connection: Another Jam Session on Narrative,” references “Jam Session on Non-Narrative,” a conversation that took place between film critics Jonathan Rosenbaum, David Ehrenstein, and...

Jun 15, 2017 New York. “Among the most savage and surreal of Italian comedies, starring one of the country’s biggest stars”—Alberto Sordi—“and directed by one of its legendary filmmakers, Vittorio De Sica’s Il Boom barely made a ripple when first released, in 1963,...

Jun 14, 2017 A tireless explorer of cinema’s discarded past, Bill Morrison brings his unique approach to found-footage filmmaking to his latest project, a documentary about lost reels of nitrate film found in Canada’s Yukon Territory.

Jun 9, 2017 “The 25 Best Films of the 21st Century. So Far.” Frankly, this time of year, my cursor tends to fly right over a headline like that, having worn itself out on such lists from Thanksgiving through Oscar Night. But this...

Jun 7, 2017 With revivals of Japanese films being presented in the coming days in New York, Chicago, Berlin, Cologne, and Vienna, a quick reminder: As noted yesterday, the lineups for the New York Asian Film Festival (June 30 through July 13) and...

Jun 5, 2017 Catherine Grant points us to the new issue of the open access journal Film-Philosophy. Before we begin paging through it, let’s have a look at a piece by Benjamin Crais which the Notebook ran last December:For Anglophone readers, Jean Louis...

Jun 1, 2017 “The greatest filmmakers, like the greatest novelists and poets, are trying to create a sense of communion with the viewer,” writes Martin Scorsese in the new issue of the TLS. “They’re not trying to seduce them or overtake them, but,...

Jun 1, 2017 The hallmarks of Japanese master Yasujiro Ozu’s mature style were solidified in this highlight from his silent period, playing this week in Washington, D.C.

May 31, 2017 New York. The BAMcinématek series Varda in California opens today and runs through June 13. The New Yorker’s Richard Brody recommends Lions Love (. . . and Lies) (1969): “Filming this docu-fiction in Los Angeles in June, 1968, the week...

May 26, 2017 Let’s take a quick break from the Cannes Film Festival to make note of a bit of reading we might take into the holiday weekend. There’ll be much more in a roundup to come, but for now, this entry will...

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