The Criterion Collection
Oct 1, 2025 — In his second stop-motion feature, Wes Anderson grapples with what it means to acknowledge one another within systems that separate beings between pet and master, wild and tamed.
The Daily
Oct 1, 2025 — With two films set to open next month, Richard Linklater programs a series of French New Wave classics.
The Daily
Sep 29, 2025 — Notes on new studies of David Lynch and Stanley Kubrick and biographies of Jane Birkin and Terrence Malick.
The Daily
Sep 24, 2025 — She won the hearts of audiences and costars in The Leopard, 8½, and Fitzcarraldo.
Sep 22, 2025 — The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.
On the Channel
Sep 18, 2025 — This month’s programs offer a feast of horror, including a John Carpenter retrospective and a collection of the most terrifying films of the 2000s.
The Daily
Sep 3, 2025 — Amanda Seyfried (The Testament of Ann Lee), Jesse Plemons and Emma Stone (Bugonia), and Dwyane Johnson (The Smashing Machine) dazzle in Venice.
The Daily
Aug 29, 2025 — The Ringer ranks this century’s greatest on-screen turns and Joseph McBride champions John Ford’s final feature.
Aug 25, 2025 — In such provocative delights as Jamón jamón and Golden Balls, one of Spain’s most original directors celebrates the sensual pleasures of food and sex while capturing the rapid changes his country experienced at the turn of the millennium.
Aug 19, 2025 — Vittorio De Sica’s neorealist masterpiece captures the indifference and hostility of the adult world through the eyes of two young boys who share a bond stronger than that of family.