The Criterion Collection
Apr 19, 2022 — Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.
The Daily
Apr 15, 2022 — This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.
The Daily
Apr 12, 2022 — The director of The Witch and The Lighthouse returns with a revenge-driven tale set in tenth-century Iceland.
Apr 8, 2022 — One Scene An acclaimed production designer with a knack for creating lushly romantic and historically realistic settings, Inbal Weinberg began her career in the 2000s and has since worked on a number of visually dazzling films, including Cary Joji Fukunaga’s...
Mar 28, 2022 — At once euphoric and elegiac, Martin Scorsese’s concert documentary captures the members of the Band on the brink of spiritual and physical collapse as they mount their transcendent final send-off.
The Daily
Mar 28, 2022 — Despite wins to celebrate, the Oscars got off on the wrong foot—and then took a turn for the worse.
The Daily
Mar 21, 2022 — Weeks ahead of the lineup announcement, trade publications are making educated guesses.
Mar 18, 2022 — With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.
The Daily
Mar 15, 2022 — A captivatingly unclassifiable leading man in the 1980s, Hurt often returned to his first passion—the theater.
Essays
Mar 8, 2022 — A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.