The Criterion Collection
Mar 27, 2006 — Louis Malle’s coming-of-age drama offers an unusually full and individualized characterization of a boy whose yearnings, sensitivities, and fantasies outstrip his personality.
Sep 19, 2005 — Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.
Essays
Dec 6, 2004 — It’s hard to believe that M was made in 1931. If we allow for the fact that it’s in black and white, it is more engaging to the eye, more incisive in its irony, more firm in its grasp of...
Aug 23, 2004 — This drama about young dreamers is the first definitive plunge into many of Federico Fellini’s dominant thematic and imagistic preoccupations.
May 9, 2004 — With his vibrant chronicle of an Oedipal revolt, Volker Schlöndorff captures the source novel’s singular recreation of the German past.
Essays
Oct 27, 2003 — Attuned to the ineffable weirdness and crushing mundanity of workplace paranoia, Steven Soderbergh’s film finds anger and sorrow in the way we brutalize our means of communication
Essays
Jul 9, 2001 — John Schlesinger’s beloved dramedy subverts the conventions of British kitchen-sink realism.
Essays
Nov 23, 1998 — Harold Shand, the London crime boss at the center of The Long Good Friday, is more than an antihero. He’s the Antichrist, uniting bourgeoisie and barbarians in a simultaneous Pax and Pox Brittanica. With the “legitimate” help of cops and...