May 1, 2024 Films by Horace Ové, Menelik Shabazz, John Akomfrah, Isaac Julien, and more depict Black lives in a tumultuous era.

Mar 20, 2024 Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

Jul 13, 2022 With a new book, an exhibition, and a film series, writer and curator Ekow Eshun celebrates Black speculative art and fiction.

Mar 11, 2020 One Scene With his Oscar-nominated debut feature, Beasts of the Southern Wild, director Benh Zeitlin brought to the screen a vision of Louisiana that combined the unique flavors and textures of his adopted home state with the magical twists and...

May 2, 2019 When I first saw My Brilliant Career, when it was released in New York in 1980, I was ignorant of director “Gill” Armstrong. I assumed she was a man, because at the time I could count the female directors I...

Jul 20, 2015 The Black Stallion is more than just a family adventure film; it’s a spectacular visual achievement. This is partly thanks to the brilliant craft of cinematographer Caleb Deschanel, who worked closely with director Carroll Ballard so that they could tell...

Jul 14, 2015 Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.

Les Blank: Always for Pleasure

Criterion Designs

May 15, 2015 The challenge of designing this box set was in finding a way to convey both the vast scope of the filmmaker’s overarching project—documenting the unique idiosyncrasies of regions and communities rarely seen on film—and the warm, casual intimacy of the...

Nov 24, 2014 There are few greater admirers of the late documentarian Les Blank than the legendary German filmmaker Werner Herzog. (The two were already close when Blank filmed the making of Herzog’s Fitzcarraldo for Burden of Dreams.) So we knew we wanted...

Aug 4, 2014 Rebellious children of the sixties become conflicted consumers of the eighties in Lawrence Kasdan’s elegiac comedy-drama.

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