The Goumbé of the Young Revelers

Feb 1, 1999 — Rob Reiner’s directorial debut documents a recent moment in the band’s checkered history—one that only coincidentally represents a brief decline in the sine wave of their careers.

Jan 11, 1999 — This epic reimagining of medieval Russia was the most historically audacious production made in the twenty-odd years after Sergei Eisenstein’s Ivan the Terrible.

Sep 8, 1998 — Paul Verhoeven’s breakthrough American film gleefully satirizes the Reagan era’s pet doctrines of free enterprise and privatization.

May 5, 1998 — John Woo’s last film made in Hong Kong before his emigration to the U.S. reflects the city's anxieties and state of crisis throughout the decade.

Dec 4, 1995 — While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.

Oct 18, 1994 — Val Lewton’s cinematic diamond-in-the-rough has been recognized for decades as a definitive chiller, but it was conceived as a title, with no story or notion in mind, and as a way of generating cash for RKO.

Sep 19, 1994 — The French do not have to take crash courses in order to deal with the man/woman thing. It is in their blood and in their civilization. Hence, they do not have to compensate for a habitual sexism with extravagant portraits...

Dec 19, 1993 — The first above-ground picture made by John Waters was a cinematic breakthrough more profound than Dolby sound or Cinerama.

Mar 30, 1992 — John Schlesinger’s controversial masterpiece made moviegoers squirm with its bold, bleak portrayal of unrequited love, gay and otherwise, and it remains as jolting and thought-provoking as ever.

Jun 24, 1990 — Some films have become famous simply because they’ve sold a lot of tickets. Others have major studio publicity machines behind them, the better to hog the spotlight. Still others earn their fame the hard way through genuine critical acclaim. But...