The Criterion Collection
During the Norwegian filmmaker’s visit to the Criterion closet, he excitedly expounded upon his wide-ranging selections, from Paul Schrader’s Mishima: A Life in Four Chapters to the Six Moral Tales of Eric Rohmer.
The Paris-based Argentine filmmaker selects a few films that align with his interest in cinematic provocation, including unsettling works by Shohei Imamura and Pier Paolo Pasolini
The artist, musician, and director of Heart of a Dog shouts out Guy Maddin as one of her favorite filmmakers, praises the first scene in Sunday Bloody Sunday, and can’t resist Pier Paolo Pasolini’s Trilogy of Life.
Production Notes
Nov 19, 2014 — While revisiting the films for their Criterion release, director Monte Hellman returned to shooting locations, many of which are now underwater; found and interviewed Calvin Johnson, the chief wrangler on both films; and discovered something new in a take of...
In the midsixties, a new generation of directors rose to prominence, both within and outside of the studio system, leading to a renaissance that transformed American filmmaking.
Nov 24, 2008 — Filmmaker D. A. Pennebaker (Dont Look Back, Monterey Pop, The War Room) and Chris Hegedus (The War Room, Startup.com), creative partners and husband and wife, offer their favorites. Read Pennebaker’s top ten here.Photo by Kit Pennebaker
Oct 28, 2008 — Winner of a 2005 MacArthur Foundation Fellows Program genius grant, Jonathan Lethem is one of America's premier contemporary writers. His works include the novels The Fortress of Solitude and Motherless Brooklyn, as well as a vast array of short stories...
This Swedish master made existential and soul-searching films that constitute one of the richest bodies of work in the history of cinema.
Gabriel Miller is Professor Emeritus of English at Rutgers University. He is the author of The Films of Martin Ritt: Fanfare for the Common Man and editor of Martin Ritt: Interviews, and has written books on Clifford Odets and William...
Vadim Rizov is the former director of editorial operations at Filmmaker magazine. His work has appeared in publications including Reverse Shot, Sight and Sound, Vanity Fair, and the Village Voice.