Jun 2, 2022 Along with a fresh round of new issues from film journals, we’re reading about Mike Leigh, Juliet Berto, Julie Dash, and Clint Eastwood.

May 31, 2022 The jury gave awards to nearly half the competition, but some critical favorites missed out.

May 31, 2022 Billy Wilder’s classic film noir is a powerful meditation on masculinity, desire, and the fantasies of white America.

May 26, 2022 The top awards at this year’s Critics’ Week go to stories of young people with uncertain futures.

May 26, 2022 Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.

May 25, 2022 Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.

May 20, 2022 Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.

May 17, 2022 A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

May Books

The Daily

May 16, 2022 This month we’re reading about David Fincher, Sofia Coppola, Hong Sangsoo, and Werner Herzog.

May 13, 2022 The director of We’re All Going to the World’s Fair reflects on the transformative power of a Sonic Youth needle drop in Olivier Assayas’s 1996 film.

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