The Criterion Collection
Features
Aug 11, 2023 — Back in the early 1980s, people were still trying to figure hip-hop out.Now in its fiftieth year, this cultural movement built by DJs, rappers, break dancers, and graffiti writers began in New York, spreading from the South Bronx to the...
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
Aug 27, 2020 — In his novel All the Rest Have Died (1964), about his experience as a young actor in New York, Bill Gunn wrote, “I was always only slightly aware of the injustice the Black artist suffers while trying to create in...
May 7, 2013 — Blame it on the Madison. Or blame it on Arthur, Franz, and Odile’s gleeful race through the Louvre in an attempt to break the world record (held by an American, of course) for the quickest visit ever. Blame it on...
Jan 18, 2011 — By 1963, when he started filming Shock Corridor on a rented soundstage, Samuel Fuller had come ruefully and puckishly to view himself as a “Lindy,” a diminutive for Charles Lindbergh designating a prostitute who, like the famous aviator, operates solo,...
Essays
Sep 6, 1999 — The subject of loneliness and the observation of the isolated person has always interested me. Even as a child, I couldn’t help but notice those who didn’t fit in for one reason or another—myself included. In life, and for my...
Essays
Oct 18, 1998 — 1986 was not a good time to make a film which attempted to capture the Punk spirit. Deep into second-term Reagan/Thatcher, American and British pop culture were infected with cynicism, hopelessness, immobility. So when Alex Cox came over with his...
The Daily
Oct 10, 2025 — This week: Essays on Daniel Day-Lewis, Sophie Fillières, and Miguel Gomes, a talk with Wes Anderson, and an AI experiment.
On the Channel
Sep 17, 2024 — With grisly special-effects showcases, some of cinema’s most memorable witches, Japanese horror classics, and spine-tingling Stephen King adaptations all on deck, there’s plenty to choose from for your spooky-season viewing.
The Daily
Mar 22, 2024 — This week we’re revisiting two classic video essays and reading about great bio-pics, Med Hondo, and Haitian cinema.