The Criterion Collection
Essays
Nov 25, 2014 — More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.
Essays
Oct 30, 2014 — Tati’s witty visual comedy also functioned as satire of a rapidly modernizing postwar France.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.
Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.
Interviews
Oct 16, 2014 — This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...
Oct 14, 2014 — What happens offscreen is as important as what’s on- in John Ford’s subtle, elegiac take on the Wyatt Earp–Doc Holliday story.
Interviews
Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...
Jul 24, 2014 — Everyday life gets a musical makeover in Jacques Demy’s tale of chance and love, a film of exquisitely sad happiness.
Essays
Jul 21, 2014 — Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.
Essays
May 6, 2014 — This humorous magazine piece from 1970 sheds some light on the meaning of the title of Il sorpasso, along with the way Vittorio Gassman comports himself behind the wheel in it.