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When I Saw You

Apr 22, 2010 It’s easy to get anxious about the place of Jean-Luc Godard in our cultural slipstream. He’s held a top-shelf slot of honor that has seemed unassailable for nearly sixty years, but sometimes I fear that his currency is becoming drastically...

Oct 29, 2009 In the spirit of the season, we asked a select coven of horror mavens (including a couple of our own) to write about their favorite Criterion scarefests. Chuck StephensEquinox: The Eyebrows of Mr. Asmodeus There are myriad ways into Equinox,...

May 21, 2007 Carol Reed’s masterpiece dives deep into the life and mind of screenwriter Graham Greene, one of Britain’s greatest postwar novelist.

Nov 6, 2006 The circumstances of our first encounters with movies are often as memorable as the movies themselves. Sometimes the juxtaposition of movie and circumstance seems merely accidental; but there are those films that change us enough that we can identify the...

Sep 26, 2005 “They were down for each other.” If one wanted to pitch the concept of Bad Timing in six words, this comment by its director, Nicolas Roeg, couldn’t be bettered.

Sep 29, 2003 Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...

May 20, 1991 In 1941, director Frank Capra was at the peak of his profession with a string of critical and popular successes behind him—next would come his adaptation of a farcical and macabre stage play.

The Blob

Essays

Mar 6, 1989 This black-and-white horror flick is the definitive ‘50s film about a town that won’t listen to the kids until it’s too late.

June Books

The Daily

Jun 18, 2026 Martin Scorsese, Agnès Varda, Lars von Trier, and Katharine Hepburn are just a few of the names you might be adding to your summer reading list.

May 24, 2024 The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

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