Two Is a Family

Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.

Sep 20, 2022 — The Canadian auteur Atom Egoyan’s strip-club-set drama is an intricate tapestry of grief and trauma, held together by a longing for human connection.

Sep 13, 2022 — Sean Baker and Shih-Ching Tsou’s portrait of an undocumented Chinese immigrant working in New York City captures a suspenseful human drama with a DIY, documentary-like approach.

Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.

Sep 7, 2022 — The first reviews are in for new films by Martin McDonagh, Joanna Hogg, Emanuele Crialese, and Koji Fukada.

Aug 30, 2022 — A lyrical study of a farming community in Ethiopia, Jessica Beshir’s debut feature reckons with the consequences of the region’s reliance on the cash crop khat.

Aug 23, 2022 — With one foot in naturalism and the other in dreams and poetry, Marcel Carné’s visually rousing drama is an ode to the daily vicissitudes of ordinary Parisians.

Aug 23, 2022 — Sidney Poitier’s directorial debut, a western depicting Black cowboy heroes, allowed two of the industry’s most significant Black stars to reorient themselves as artists.

Aug 18, 2022 — With an obsessive attention to detail and tiny gestures, Ronald Bronstein’s debut feature film turns the tale of one neurotic Brooklyn man into a furious work of personal cinema.

Aug 11, 2022 — New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.