The Criterion Collection
Essays
Nov 26, 2018 — The Magnificent Ambersons In his interviews with Peter Bogdanovich published as This Is Orson Welles, Welles speaks nostalgically of the time he spent with his father in a tranquil enclave of 1920s Illinois, comparing it to “a childhood back in...
Features
Nov 20, 2018 — In the aftermath of the political turmoil that swept through France in 1968, Sylvina Boissonnas used her wealth to sponsor some of the most radical films of the era, including works by Philippe Garrel and Jackie Raynal.
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
The Daily
Oct 29, 2018 — At eighty-six, the renowned director and screenwriter stars in Kenneth Lonergan’s The Waverly Gallery.
Oct 23, 2018 — Brian De Palma found his home in the psychological thriller with this chilling tale of murder, which twists genre conventions to investigate the perils of looking and the pitfalls of subjectivity.
Oct 12, 2018 — Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.
The Daily
Sep 29, 2018 — This “lean but evocative allegory” can be read in a surprising number of ways.
Sep 26, 2018 — The completion of the project Welles began in the 1970s is one of the major cinematic events of the year.
In Theaters
Sep 21, 2018 — The complete works of French cinema rebel Jean Vigo are coming to theaters in gorgeous new restorations.
The Daily
Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.