The Criterion Collection
Jul 2, 2024 — Self-destruction is not only an aesthetic but its own subject matter in Sam Peckinpah’s deeply elegiac western, a towering masterpiece that examines American power and greed.
The Daily
Jun 27, 2024 — This year’s edition offers discoveries, restored classics, and plenty of star power.
The Daily
Jun 26, 2024 — A happily married lawyer strikes up an affair with her teenage stepson in Breillat’s first feature since Abuse of Weakness (2013).
Jun 21, 2024 — Join us on Sunday, June 30, for the premiere; afterwards, Opus will stream exclusively on the Criterion Channel.
The Daily
May 31, 2024 — Personal and political histories are inextricable in the late filmmaker’s documentaries.
The Daily
May 24, 2024 — The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.
The Daily
May 23, 2024 — At a time of crisis for Argentinian cinema, an Argentinian director has won the top prize.
The Daily
Apr 26, 2024 — The director of Human Resources (1999), Time Out (2001), and The Class (2008) has died at sixty-three.
The Daily
Apr 10, 2024 — Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.
Apr 2, 2024 — The main attraction of the Metrograph series will be the new restorations of Green Fish, Peppermint Candy, Oasis, and Poetry.