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The Imp

Apr 17, 2025 After a wildly successful stop at SXSW, where we welcomed over a thousand film fans, the Mobile Closet is making its way to Vidiots and American Cinematheque in LA.

Sep 24, 2024 Films by Agnès Varda, Chantal Akerman, and Rungano Nyoni screen in the Metrograph series.

Apr 22, 2024 Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.

Feb 13, 2024 Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.

Uncertain Futures

The Daily

Jan 6, 2023 We’re catching up with a conversation with Tom Gunning, an essay on the nuclear threat, and appreciations of Jean-Louis Trintignant and Norma Shearer.

Nov 8, 2022 New York’s Japan Society presents a selection of films written, produced, and/or directed by women.

Sep 8, 2022 All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.

May 26, 2022 Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.

Mar 26, 2021 In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.

Feb 26, 2021 There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...

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