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Love Me Love Me

Apr 27, 2021 The winner of top awards at Visions du Réel now heads to New Directors/New Films, Hot Docs, True/False, and Rotterdam.

Apr 15, 2021 Catherine Breillat and Todd Field are getting back behind the camera, while Scorsese and Spielberg forge ahead with their latest projects.

April Books

The Daily

Apr 13, 2021 This month’s round spans from the earliest days of cinema, through Hollywood’s golden age and Scorsese’s Raging Bull to Sharon Stone’s memoir.

BAFTAs and Guilds

The Daily

Apr 12, 2021 Chloé Zhao widens her lead in the Oscar race.

Apr 9, 2021 Uncovering “The Naked City,” Bruce Goldstein’s scintillating chronicle of The Naked City’s groundbreaking New York location shoot, is more than the best “where-they-filmed-it” doc ever made. As Goldstein wittily traces director Jules Dassin’s Gotham roots and influences, this twenty-three-minute documentary—now...

Apr 8, 2021 The London-based, British Ghanaian artist and filmmaker Larry Achiampong explores race, class, and history in a multidisciplinary practice that, as described in the biography on his website, seeks to “examine his communal and personal heritage—in particular, the intersection between pop...

Apr 7, 2021 Songbook Zula knocks back two shots like they’re water, picks up a brimming martini glass, and struts right up to her current lover’s former lover—a poetess, at that—to introduce herself. “Bon soir,” says Zula, French still a little heavier on...

Apr 2, 2021 One Scene Thomas Vinterberg no longer holds fast to the ascetic tenets of Dogme 95, the film movement he cofounded in 1995 with fellow Danish director Lars von Trier, but what has remained constant throughout his career is his sharp...

Mar 31, 2021 It has seemed to me for a long time that there is far too little screaming about Albert Brooks. It has seemed that way to all of his staunchest fans, who secretly relish being among the evolved few who know...

Mar 30, 2021 Mike Leigh’s midcareer masterpiece is one of the finest examples of his ability to construct riveting drama from ordinary life.

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