The Criterion Collection
Essays
Jun 11, 2007 — Claude Berri’s witty comedy-drama depicts Nazi sympathizers with three-dimensional candor, neither whitewashing nor apologizing for their misguided ideas.
Oct 23, 2006 — The New Zealand director’s debut feature is a bridge between her tentative, probing film school works and her subsequent female character studies.
Essays
May 22, 2006 — Luis Buñuel’s merciless satire concerns the smallness of our vision of progress and our narrow attempts to achieve it through rational or moralistic planning.
Oct 24, 2005 — Hideo Gosha’s swordplay drama captures rebellion against the Japanese feudal system, pitting its twin protagonists against each other but also, together, against the very notion of authority itself.
Essays
Apr 19, 2004 — “Floating weeds, drifting down the leisurely river of our lives,” has long been a favored metaphor in Japanese prose and poetry. This plant, the ukigusa (duckweed in English), floating aimlessly, carried by stronger currents, is seen as emblematic of our...
Aug 18, 2003 — One of the Swedish director’s most representative works, this drama’s portentousness, banked intensity, and recondite symbolism come near to embodying the popular stereotype of the Bergmanesque.
Essays
May 26, 2003 — Embracing the world while pretending to sneer at it, Henri-Georges Clouzot’s crime film is rich, deep, and wily.
Essays
Sep 17, 2001 — George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.
The Daily
May 4, 2026 — L’Alliance New York presents a series of films by a director ripe for discovery in the U.S.
Apr 27, 2026 — During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...