The Criterion Collection
The Daily
Nov 13, 2019 — TIFF Cinematheque presents an eclectic selection of eleven films by the Japanese director.
On the Channel
Nov 8, 2019 — This weekend on the Criterion Channel, we’re presenting a case file on some of our favorite films about espionage, eavesdropping, and paranoia, as the eight-feature program Caught on Tape starts rolling on Sunday. From the analog surveillance of iconic seventies...
Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...
Features
Oct 28, 2019 — One Scene In Nadav Lapid’s latest film, the award-winning Synonyms, a young man moves from Tel Aviv to Paris to make a clean break from his Israeli identity. This drastic attempt at self-reinvention is something that Lapid himself endeavored in his...
On the Channel
Oct 26, 2019 — With her resplendent early feature An Angel at My Table (1990), Jane Campion widened the scope of her storytelling, adapting the memoirs of New Zealand writer Janet Frame for a decades-spanning, convention-shattering biographical film. As it follows Frame from childhood...
On the Channel
Oct 23, 2019 — With 2002’s Frida, Julie Taymor brought her bold imagination to the dramatic life story of a singular artist: the iconic Mexican painter Frida Kahlo. Made just five years after she found staggering success on Broadway with The Lion King, Taymor’s...
On the Channel
Oct 18, 2019 — Art-House America Like a number of theaters featured in our Criterion Channel series Art-House America, the Loft Cinema once faced the threat of its doors closing permanently. Born in 1972, and originally based in a small space near the University of Arizona, this...
The Daily
Oct 17, 2019 — Two series offer a wide range of thematic and historical perspectives on the Japanese capital.
Oct 16, 2019 — Deep Dives “I have a feeling that the really crucial moments in a film should be wordless,” the Bengali filmmaker Satyajit Ray once said. He was speaking of his 1964 masterpiece Charulata, whose action consists largely of soulful looks passing...
Oct 7, 2019 — One Scene Japanese filmmaker Takashi Miike has directed more than a hundred features, and almost three decades into his career he’s showing no signs of slowing down. Throughout his ferocious, often controversial body of work, he has contorted disparate genres...