The Criterion Collection
The Daily
Dec 7, 2020 — As early reviews of Let Them All Talk come in, Steven Soderbergh discusses the state of the movies following the collapse of the theatrical window.
Sep 5, 2017 — “Apparently the word refers to an actual traumatic state caused by getting lost in a forest,” begins Jonathan Romney in Screen. “However, if the title Woodshock leads you to expect a horror movie about the results of bad acid at...
Dec 13, 2006 — Well, it’s not exactly writer’s block, but it’s related. I’ve been trying to get this blog entry posted since Tuesday afternoon, but there’s always something that takes me away from the task at hand. I’m procrastinating, and I know why:...
Criterion Designs
Sep 26, 2022 — For this new illustration, Spanish artist David de las Heras combined his signature use of bold colors with the lush style of French postimpressionist Henri Rousseau, a key visual influence on Atom Egoyan’s 1994 film.
Nov 19, 2020 — One Scene Acutely attuned to the drama of intimate relationships and interactions, writer-director-producer Sean Durkin mines their dynamics for his quietly simmering character studies. Best known for his feature debut, Martha Macy May Marlene, which premiered at Sundance in 2011 and...
Jul 30, 2019 — One Scene Though he works in the highly stylized realm of the horror genre, Ari Aster’s acute attention to the fraught dynamics of intimate relationships—evident in his psychologically penetrating new film Midsommar—makes it easy to see how he draws inspiration...
Essays
May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.
Essays
Jun 27, 2012 — The warrior and philosopher protagonist of The Samurai Trilogy, Musashi Miyamoto, was a real-life seventeenth-century figure. Here, the translator of Musashi’s The Book of Five Rings tells us about this fascinating man and his principles of swordplay and spirituality.
Features
Mar 13, 2025 — While a film’s stars are forced to bear the responsibility of moving a narrative forward, supporting actors get to have fun providing comic relief or suggesting whole lives being lived beyond the screen.