Good Time

Oct 26, 2022 — The ’80s Horror collection now playing on the Criterion Channel brings together some of my favorite films from a time when the horror genre took on strange and thrilling new forms. When I began programming it, my thoughts drifted back...

Oct 25, 2022 — One of the few American films of its era directed by a Black woman, Kasi Lemmons’s feature debut advances a critique of patriarchy and asks questions about gender and sexuality that still resonate today.

Oct 21, 2022 — We’re reading the new issue of Caligari and revisiting disturbing films by Kiyoshi Kurosawa and Gore Verbinski.

Oct 21, 2022 — The Viennale and the Austrian Film Museum present twelve features by a vital figure in the Japanese New Wave.

Oct 17, 2022 — Memoirs from Paul Newman and Pierre Clémenti, miscellany from Satyajit Ray and Alan Rickman, and a translation of Marguerite Duras are among this month’s highlights.

Oct 14, 2022 — Martin Scorsese remembers Jean-Luc Godard, Francine Prose admires Jafar Panahi, and Guy Maddin discusses his earliest and newest works.

Oct 11, 2022 — Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.

Oct 7, 2022 — This underappreciated 1968 film is a feast of dark delights, filled with vengeful ghosts, psychically linked identical twins, obsessed mad scientists, creepy priests, and seemingly sentient skeletons.

Oct 5, 2022 — Highlights include new work from Chinonye Chukwu, Lars von Trier, Elegance Bratton, and Jerzy Skolimowski.

Sep 28, 2022 — A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.