Jun 9, 2003 In Stan Brakhage’s films we enter into momentary perceptual transactions in which we trade unhindered assimilation of images for intensified contact with pictorial or sensory features that might otherwise go unnoticed.

May 26, 2003 Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton

Apr 28, 2003 Federico Fellini both identifies with and satirizes the provinciality that forms his romantic comedy's central subject.

Mar 24, 2003 Straw Dogs turns on a woman’s rape, and one can’t blame pictures for depicting. But the film shows the woman, after some tart resistance, seeming to enjoy it, and this approaches the apex of what a delicate soul might call...

Jan 6, 2003 Ernst Lubitsch set the screwball comedy standard, treating hard-on material with dignified aplomb and a combination of suaveness, hilarity, and sexiness.

Ratcatcher

Essays

Sep 9, 2002 With her debut feature, Lynne Ramsay confirmed herself as one of the most distinct and important voices to emerge from the United Kingdom in recent years.

Mar 11, 2002 This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.

Feb 11, 2002 Miloš Forman’s film is an amazing balancing act of subtle social satire and adolescent romantic longing, of blank despair and irrepressible hope.

The Last Wave

Essays

Nov 26, 2001 Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.

Jul 9, 2001 John Schlesinger’s classic is an exuberant satire of a society caught between its old ways and the urge to modernize.

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