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Jan 29, 2001 Masahiro Shinoda’s historical drama uses traditional elements of Japanese theater to explore the tension between ethics and eroticism.

Jan 29, 2001 Invisible monsters suck out your brains! And that’s just for starters.

Nov 13, 2000 All the opening bands had finished playing, and it was time for the Stones to come out. The sun was still out and there was plenty of daylight left. The crowd had waited all day to see the Stones perform,...

Sisters

Essays

Oct 2, 2000 The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...

Apr 24, 2000 PREFACE Aman who dozes, his mouth half open, in front of a wood fire, lets slip some secrets from that night of the human body that is called the soul, over which he is no longer master. The sentry of...

The 39 Steps

Essays

Nov 23, 1999 The occasion of the 100th anniversary of Alfred Hitchcock’s birth rewards us with a new release of one of his greatest films, The 39 Steps (1935). This DVD provides a newly restored transfer, new critical audio commentary on the film,...

Henry V

Essays

Jun 21, 1999 Laurence Olivier’s Henry V today seems like nothing less than a miracle in answer to the Chorus’s call for “a muse of fire that would ascend the brightest heaven of invention.” It’s a dazzling adaptation of a Shakespeare play, made...

Nov 23, 1998 Harold Shand, the London crime boss at the center of The Long Good Friday, is more than an antihero. He’s the Antichrist, uniting bourgeoisie and barbarians in a simultaneous Pax and Pox Brittanica. With the “legitimate” help of cops and...

Alphaville

Essays

Oct 19, 1998 Jean-Luc Godard’s stripped-down science-fiction drama depicts a computer-controlled society at war with artists, thinkers, and lovers.

Dead Ringers

Essays

Oct 12, 1998 Inspired by the stranger-than-fiction true story of identical twin gynecologists, David Cronenberg’s psychological thriller is a melancholic meditation on our very existence.

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