The Criterion Collection
Dec 13, 2018 — The Berlinale will premiere new work by Angela Schanelec and Denis Côté, Rotterdam’s got an opener, and Steven Soderbergh will preview his latest at Slamdance.
On the Channel
Jan 10, 2018 — The director of the war masterpiece Come and See got his start lampooning social conformity in 1960s Soviet life. Two of his early-career gems are now available on the Criterion Channel on FilmStruck.
Oct 7, 2019 — One Scene Japanese filmmaker Takashi Miike has directed more than a hundred features, and almost three decades into his career he’s showing no signs of slowing down. Throughout his ferocious, often controversial body of work, he has contorted disparate genres...
The Daily
Mar 14, 2018 — Tilda Swinton will star in Apichatpong Weerasethakul’s next feature, reports Jordan Raup at the Film Stage. “Titled Memoria, it will mark the Palme d’Or-winning director’s first film shot outside Thailand, with a 2019 production planned in Colombia. ‘During the 70s...
Jul 4, 2017 — The great character actress delivers a lusty, unbridled performance as a preacher’s daughter in this late-career gem from John Huston.
Short Takes
May 24, 2017 — For my top-prize pick from the 1970s, I’ve chosen a film that enjoyed great commercial success while also stirring up international controversy. Though it was one of the highest-grossing German films of the decade, Volker Schlöndorff’s adaptation of Günter Grass’s...
May 22, 2017 — Yorgos Lanthimos’s The Killing of a Sacred Deer “makes the absurd, amazing The Lobster seem like a warm and cuddly experience by comparison,” declares Jessica Kiang at the Playlist. “A film of clean hands, cold heart, and near-Satanic horror, it...
May 21, 2017 — “Neo-realism isn’t necessarily a genre built for star turns,” writes Guy Lodge for Variety, “but director Jonas Carpignano happened upon one anyway in his debut Mediterranea: Then-preteen Pio Amato wasn’t the lead in that accomplished, affecting refugee drama, but his...
Essays
Jun 11, 2007 — Claude Berri’s witty comedy-drama depicts Nazi sympathizers with three-dimensional candor, neither whitewashing nor apologizing for their misguided ideas.
Features
Apr 3, 2020 — Everyone remembers their first time with Toshiro Mifune. With almost anyone else, such a first would be recollected with a shrug or a casual “it was . . . fine.” But Mifune induces delirious and perfect recall: of him flat...