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Big Time Movie

Oct 14, 2020 The first raves are in, but we’ll have to wait until Christmas Day to see it.

Oct 9, 2020 In Scoundrels & Spitballers: Writers and Hollywood in the 1930s, veteran French journalist Philippe Garnier brings to life an enchantingly raffish community of typewriter-pounders who headed west to try their luck in the verbal gold rush set off by the...

Oct 9, 2020 In the summer of 2020, I spoke with Philippe Garnier about his book Scoundrels & Spitballers: Writers and Hollywood in the 1930s, available for the first time in English from Eddie Muller’s Black Pool Productions. The book introduces a rogues’...

Oct 7, 2020 The NYFF’s program of five short works is currently screening virtually through Saturday.

Oct 5, 2020 Three of the five stand-alone features in this anthology series have premiered in New York, and the reviews have been rock solid.

Oct 2, 2020 The Lady Eve, from 1941, is my favorite of all of Preston Sturges’s comedies. I would wager to say that it’s Barbara Stanwyck’s best performance, though I also love her in Double Indemnity and Forty Guns. Heck, I love her in everything she’s in. But...

Oct 1, 2020 Few directors capture bodies in motion with the sensuous intensity that Claire Denis brings to her work. In some of the most memorable scenes in her filmography, she invites viewers to linger in moments where her characters lose themselves in...

Sep 24, 2020 As video games have evolved into a technological and economic behemoth, they have attracted some consumer attention and spending away from movies. In part to appeal to filmgoers accustomed to the high production values of the big screen, large-budget games...

Sep 16, 2020 When I think of Albert Brooks, the first image that invariably comes to mind is that of a worry-stricken man desperately impressing his anxieties upon a bemused, notably less nebbishy partner, presenting an elaborate case for the legitimacy of those...

Sep 9, 2020 The in-demand performer stars in two films in competition, Kornél Mundruczó’s Pieces of a Woman and Mona Fastvold’s The World to Come.

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