Big Love

Dec 28, 2017 — Every year for eleven years now, at the height of list-making season, Kristin Thompson, David Bordwell, or both offer a welcome twist with an entry on the best films that have just turned ninety. This year, Thompson looks back on...

Dec 19, 2017 — Following the first rounds up titles slated for the Panorama and Competition programs, the Berlin International Film Festival now presents sixteen titles lined up for Generation, its section for younger viewers. This time around, we have descriptions from the Berlinale.Generation 14plus303, directed by Hans Weingartner. World premiere. 303 tells...

Dec 18, 2017 — When Mathieu Amalric’s Barbara with Jeanne Balibar premiered in the Un Certain Regard program of this year’s Cannes Film Festival in May, it won an award for Best Poetic Narrative. A month later, it won the Jean Vigo Award, and...

Dec 15, 2017 — The International Film Festival Rotterdam has been rolling out the lineup for its 2018 edition (January 24 through February 4) in quick spurts over the past few weeks, and it’s far from complete. But there’s already more than enough to...

Dec 14, 2017 — Emotion Pictures: International Melodrama is a sixty-two film series now running at the Film Society of Lincoln Center in New York through January 7. “Sam Fuller famously defined cinema as ‘emotion,’ and just about every variety of it may be...

Dec 12, 2017 — “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...

Dec 11, 2017 — Guillermo del Toro’s The Shape of Water leads the seventy-fifth Golden Globes nominations with a total of seven, followed by Steven Spielberg’s The Post and Martin McDonagh’s Three Billboards Outside Ebbing, Missouri with six each. As for television series, Big...

Dec 8, 2017 — “We live in an age in which articles are written daily on the need for ‘checking out’ of online culture, so that we may disconnect from the bombardment of grotesqueries that keep us in an emotional tailspin,” writes Chuck Bowen,...

Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...

Dec 7, 2017 — “I think that every movie gets better the second time around if you love it,” Guillermo del Toro tells Matt Zoller Seitz in an excerpt from a new book by Seitz and Simon Abrams, Guillermo del Toro’s The Devil’s Backbone....