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Feb 11, 2002 — The last, best, and funniest movie Milos Forman would make in his native Czechoslovakia is a deceptively simple miniature.

Nov 26, 2001 — Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.

Nov 19, 2001 — Alfred Hitchcock’s first film in Hollywood is his earliest definitive statement on male domination and female subjugation.

Oct 29, 2001 — Peter Medak’s stinging satire is unashamedly theatrical, emerging from a fascinating period in English culture when theatre and cinema together were mining a rich vein of flamboyant self-analysis.

Oct 15, 2001 — The music in Benjamin Christensen’s classic constantly refers to something deeper, creating a sort of deep pity in preparation for the ending of the film.

Oct 15, 2001 — Alfred Hitchcock’s classic thriller features two of Hollywood’s greatest stars, rendering their characters' grand romance in all its passion and perversity.

Oct 15, 2001 — The French director’s crime film conveys both the flow and the form of the prison experience.

Sep 17, 2001 — Jirí Menzel’s war comedy is an absurdist symphony of self-absorption and impotence.

Sep 17, 2001 — George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.

Sep 3, 2001 — The Maysles Brothers’ documentary classic exposes the diurnal rituals and disappointments of American men of a certain generation.