The Criterion Collection
The struggles of ordinary Americans are foregrounded in this acclaimed auteur’s understated yet deeply humanistic films.
The writer, director, actor, and producer shares what Marlon Riggs’s work means to her as a Black queer filmmaker, praises Rainer Werner Fassbinder’s radical approach to melodrama, and spotlights Chantal Akerman, Agnès Varda, and other directors whose work she can’t...
The acclaimed actor shares his affection for the dark humor of The Cremator, credits Benicio del Toro with introducing him to the films of Kaneto Shindo, and praises Mexican-cinema classics like Canoa: A Shameful Memory and Amores perros.
In the very first entry in our Closet Picks series, shot in 2010, the director of Pan’s Labyrinth selects favorite films by Stanley Donen, Terrence Malick, and Ingmar Bergman.
The actor describes the beauty of discovering Agnès Varda, shares how Mean Streets inspired his desire to act, and selects all-time favorite films, from Five Easy Pieces to The Leopard.
The actor and writer shares her love of the literary qualities of Eric Rohmer’s cinema, recalls the thrill of watching Bruno Dumont’s La vie de Jésus, and selects films by auteurs she has worked with, including Jean-Luc Godard and John...
The singer-songwriter of Death Cab for Cutie and the Postal Service shares his love of the surreal worlds of Luis Buñuel; praises his favorite filmmaker, Kelly Reichardt; and talks about the emotional impact and importance of Streetwise.
The legendary auteur returns to the Criterion Closet, where he selects new editions of favorite films like Down by Law and Wanda, talks about Kurosawa’s genius for recreating weather on-screen, and shouts out his former assistant director Claire Denis.
The acclaimed writer, director, and producer of About Dry Grasses talks about how seeing Ingmar Bergman’s The Silence changed his perception of cinema, praises the timeless and deceptively simple qualities of Stranger Than Paradise, and shares how Abbas Kiarostami gave...
The comedian talks about Andy Griffith’s electric performance in A Face in the Crowd, the depiction of childhood loneliness in Me and You and Everyone We Know, and favorite films such as Bringing Up Baby and Menace II Society.