The Criterion Collection
The legendary director shares the importance of learning from the work of Krzysztof Kieślowski, talks about how Straw Dogs sparked his desire to pursue filmmaking, and selects box sets by two of his favorite filmmakers, Martin Scorsese and Masaki Kobayashi.
The actor and star of Exhibiting Forgiveness talks about his hero, the late James Earl Jones, and his performance in Claudine; shares how Lorraine Hansberry’s A Raisin in the Sun sparked his desire to perform; and selects films by friends...
Share your love for some of the greatest filmmakers in the world. Available in three colors, each with a unique selection of Criterion directors. Collect them all!
The writer and director of All We Imagine as Light shares why Sans Soleil and Arabian Nights are gifts that keep on giving, talks about Aki Kaurismäki’s “fun and audacious” Leningrad Cowboys films, and praises Louis Malle’s Phantom India as...
The host of the hit interview show Chicken Shop Date talks about Portrait of a Lady on Fire and being drawn to films with undeniable chemistry, praises 12 Angry Men as one of the greatest films of all time, and...
The director of All Quiet on the Western Front and Conclave shares his love for Downhill Racer and its innovative sound design, talks about the emotional impact of Cold War, and selects a few of Roberto Rossellini’s films featuring Ingrid...
The actor praises films by directors he has worked with, talks about how Mike Leigh’s Naked and Ken Loach’s Kes helped define contemporary British cinema, and thanks his father for his love of Tampopo.
The actor and director talks about the thrilling sensation of seeing All That Jazz for the first time, reminisces about watching Klute while on the set of Twilight, and reflects upon her favorite Ingmar Bergman films, such as Winter Light...
The writer and director of the cult classic The Babadook shares her love for fellow Australian filmmaker Peter Weir’s The Last Wave, talks about her repeat viewings of Mulholland Dr., and selects spine-tingling Japanese horror classics Kuroneko and Onibaba.
The artist and codirector of Agnès Varda’s documentary Faces Places talks about his intimate collaboration with the late iconic filmmaker, praises world-expanding masterpieces like La haine and Roma, and shouts out his friend Louis Garrel.