The Criterion Collection
Oct 28, 2020 — More than anything, Claudine felt like a reprieve; the film, directed by John Berry and released in 1974, gave audiences a compelling alternative depiction of Black life from those about Black drug lords and mafia dons fighting over real estate...
The Daily
Jul 7, 2020 — The renowned composer of well over four hundred film scores was equally at home in avant experimentation and tear-jerking sentimentality.
Essays
May 27, 2020 — “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...
The Daily
Apr 12, 2019 — Known for his work with John Cassavetes, the actor was rediscovered a generation later in films by Wes Anderson.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Jan 26, 2018 — We turn first to IndieWire’s David Ehrlich: “‘The emotions you are having are not your own, they are someone else’s. You are not the cat—you are inside the cat.’ So begins Josephine Decker’s Madeline’s Madeline, an ecstatically disorienting experience that...
Jan 23, 2018 — Made during the German occupation of France, these beguiling films showcase Claude Autant-Lara at the height of his powers.
May 22, 2017 — Yorgos Lanthimos’s The Killing of a Sacred Deer “makes the absurd, amazing The Lobster seem like a warm and cuddly experience by comparison,” declares Jessica Kiang at the Playlist. “A film of clean hands, cold heart, and near-Satanic horror, it...
Jun 1, 2015 — A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.