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May 17, 2011 “There was a strong influence of Baudelaire’s Fleurs du mal throughout this film,” director Masahiro Shinoda would later remember of his 1964 squid-ink noir Pale Flower, made in the days when his career as a filmmaker and founding figure of...

May 3, 2011 French auteur cinema has increasingly been exploring themes of sex through scenarios whose explicitness verges on the pornographic. Along with Patrice Chéreau (Intimacy, 2001), Léos Carax (Pola X, 1999), Virginie Despentes and Coralie Trinh Thi (Baise-moi, 2000), and Gaspar Noé...

Aug 12, 2010 One of the most challenging aspects of our work is to get accurate color for films when there are no filmmakers to consult with. This is especially true of films from the fifties and sixties, for which cinematographers, directors, editors,...

Mar 23, 2010 In myriad inventive ways, Terrence Malick’s philosophical drama shows us how nature and culture are always intertwined.

Feb 23, 2010 Like many other French cinephiles, I discovered Make Way for Tomorrow relatively late, although we had been interested in Leo McCarey for years. We had hunted down his Laurel and Hardy pictures, adored Duck Soup, the best of the Marx...

Aug 18, 2009 Jacques Tati’s masterpiece converts work into play so pleasurably that it turns the very acts of seeing and hearing into a form of dancing.

Bottle Rocket

Essays

Nov 23, 2008 Wes Anderson made a film without a trace of cynicism, one that obviously grew out of his affection for his char­acters in particular and for people in general.

Jun 30, 2008 The idea of self-fashioning—of deliberately taking the raw materials of one’s body and mind and transforming them into a work of art—has been with us at least since the Renaissance. Yet no one, not even Oscar Wilde, has so rigorously...

May 26, 2008 Though producer Alexander Korda’s adventure movie forms part of a continued tradition of representing the East by purposefully occluding the reality of it, it celebrates the Arabian fantasy as a site of childlike wonder.

Apr 28, 2008 The simplicity and emotional clarity of Albert Lamorisse’s 1956 The Red Balloon have made it one of the most beloved films of all time. The narrative is deceptively airy and pared down: Pascal, a young Parisian boy, retrieves a balloon...

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