The Criterion Collection
Essays
Nov 25, 2015 — Akira Kurosawa's 1952 film about one man’s mortality offers a study in postwar Japan, Kurosawa vs. Ozu, and the realization that knowing how to die requires learning how to be alive.
Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.
Jun 22, 2015 — Terry Gilliam touches down in the real world for the first time with this fanciful tale of blurred class boundaries in New York City.
Apr 29, 2015 — Peter Yates's crime drama is a haunting, singular experience, brutal and minutely observed, with a remarkably authentic sense of place.
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.
Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.
Interviews
Oct 16, 2014 — This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...
Essays
Feb 27, 2014 — Roman Polanski’s film is a highly sophisticated adaptation of Thomas Hardy’s classic novel, in both its faithfulness and its divergences.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Nov 11, 2013 — A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.