The Criterion Collection
Feb 16, 2004 — In this quintessential noir, Samuel Fuller breaks with the Red Scare formula of his contemporaries by contrasting the faceless evil of Communism against the peccadilloes of the workaday American crook.
Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...
Apr 28, 2003 — The sense of the difficulty of a real assumption of adulthood gives François Truffaut’s final Antoine Doinel film an undercurrent of anguish, despite its surface lightness.
Apr 28, 2003 — The fourth installment in François Truffaut’s Antoine Doinel saga is a comedy about marriage, the desire to escape it, and the craftiness involved in running from one’s own desires.
Apr 28, 2003 — François Truffaut’s third Antoine Doinel installment is a perpetual juggling act by which harsh truths are disguised as light jokes.
Nov 19, 2001 — Alfred Hitchcock’s first film in Hollywood is his earliest definitive statement on male domination and female subjugation.
Essays
Aug 20, 2001 — Carl Dreyer considers the work of art’s soul in this excerpt from Dreyer in Double Reflection.
Essays
Aug 20, 2001 — Carl Dreyer’s 17th-century period piece leaves all major questions frustratingly unresolved yet vibrantly open, quivering and radiant with life and meaning.
Essays
Jun 18, 2001 — Bathed in scarlet hues, Ingmar Bergman’s period drama is his most daring attempt to achieve a dream state on film.