The Criterion Collection
The Daily
Apr 18, 2023 — The selection of thirty films includes new work from Hong Sangsoo, Michel Gondry, Joanna Arnow, and Sean Price Williams.
The Daily
Oct 9, 2019 — This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.
May 1, 2018 — Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.
Feb 6, 2018 — A key collaborator on Michael Ritchie’s Downhill Racer and the creator of two Olympic films, Joe Jay Jalbert chats with us about the art of capturing skiing on-screen.
The Daily
Feb 2, 2018 — New York. First, we look past the new few days with a few lineup announcements. EW’s Clark Collis reports on Pacino’s Way, a retrospective of over twenty-five films, “the majority screening on 35 mm prints,” that will run at the...
May 11, 2009 — Novelists learn not to expect too much when their books are made into movies. Obviously, great fiction has been turned into great cinema, but the dents and scrapes that so many classics have sustained on the rocky road from the...
Essays
Feb 11, 2002 — The last, best, and funniest movie Milos Forman would make in his native Czechoslovakia is a deceptively simple miniature.
Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...
Nov 19, 2020 — For most of my life, makeover sequences in film comedies held an irresistible allure. The mousy young woman who realizes her own inner and outer (but mostly outer) beauty after receiving the attentions of the right man (or the right...
Nov 26, 2019 — Bette Davis gets the first laugh in Joseph L. Mankiewicz’s All About Eve (1950), and a little over two hours later, she gets the last laugh too. The film opens at the dinner for something called the Sarah Siddons Award...