Sep 22, 2020 Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...

Sep 15, 2020 For some, this nineteenth-century love story “never catches fire,” but for others, it’s “one of the finest films of the year.”

Sep 14, 2020 Golden Lion for Chloé Zhao! Plus a look at what the critics have to say about all the award winners.

History in Waves

The Daily

Sep 11, 2020 On our minds this week: New Taiwan Cinema of the 1980s, Black cinema’s “paradoxical role in American cultural history,” the new Brooklyn Rail, and more.

Sep 11, 2020 As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.

Sep 9, 2020 Performances In the mid-1960s, the Bengali director Mrinal Sen reportedly accused his contemporary Satyajit Ray of selling out. “Mrinal said—now he has sunk to the level of using a matinee idol!” Ray would later laugh to his biographer, Andrew Robinson....

Sep 9, 2020 The in-demand performer stars in two films in competition, Kornél Mundruczó’s Pieces of a Woman and Mona Fastvold’s The World to Come.

Aug 28, 2020 This week’s highlights feature paintings brought to life, pioneering citizen journalists, early “race films,” and the first Japanese wave.

Aug 27, 2020 In his novel All the Rest Have Died (1964), about his experience as a young actor in New York, Bill Gunn wrote, “I was always only slightly aware of the injustice the Black artist suffers while trying to create in...

Aug 25, 2020 Set among immigrants and laborers in an unglamorous corner of the South of France, Toni (1935) fulfills Jean Renoir’s wish to make a film in “a style as close as possible to that of daily encounters,” as he wrote in...

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