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A Life of Her Own

Feb 18, 2020 In what was no doubt an appeal to subtitle-averse audiences, advertisements for the U.S. release of Teorema (1968) trumpeted, “There are only 923 words spoken in Teorema—but it says everything!” A meager few of those utterances are expended in an...

Feb 12, 2020 If you were born in Mexico City in the second half of  the twentieth century, you grew up feeling that everything could come tumbling down in a matter of minutes. You grew up amid the reverberation of past earthquakes—all their...

Dec 11, 2019 One Scene “Who can prove the genuineness of our feelings?” a character asks at one point in the Cannes-award-winning sci-fi drama Little Joe, the first English-language film by Austrian director Jessica Hausner. The question is as good a summation as...

Oshima in Toronto

The Daily

Nov 13, 2019 TIFF Cinematheque presents an eclectic selection of eleven films by the Japanese director.

Sep 9, 2019 The jury presided over by Lucrecia Martel has surprised just about everyone.

Feb 5, 2019 Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Nov 27, 2018 With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.

Oct 30, 2018 Ridiculous on the outside but full of truth on the inside, Rob Reiner’s fairy-tale classic is a childhood touchstone for generations of movie lovers.

Aug 13, 2018 Looking back on the highlights of the seventy-first edition.

Jun 20, 2018 The anniversary edition features three world premieres and the best of this year’s Sundance.

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