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We Hold These

Feb 18, 2008 Actor and writer Linda Sandoval met Alex Cox in 1983, when her husband, Miguel Sandoval, was cast in Repo Man (she recalls that Cox phoned to say he had good news and bad news: the bad news was that Miguel...

Apr 25, 2005 Pietro Germi offers locomotive relief in this comedy about the horrors of inertia.

Jan 21, 2025 In his first Hollywood film, British director Stephen Frears dives into the nihilistic world of Jim Thompson’s fiction, delivering an adaptation profoundly attuned to the novelist’s sense of ineluctable suffering.

Apr 28, 2023 One of Britain’s most celebrated playwrights talks about bringing her uncompromising exploration of racism and resistance to the screen.

Apr 26, 2023 The activist, singer, and actor dealt with stardom on his own terms.

Survival Skills

The Daily

Oct 28, 2022 Iranian cinema, the history of horror, and malevolent conspiracies are on our minds this week.

Feb 26, 2021 There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...

Jul 2, 2018 Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.

Feb 24, 2015 Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.

Apr 21, 2008 Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.

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