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To Save Her Soul

Aug 23, 2011 Intimidation: The Weird Dream MakerImpassioned and dedicated craftsman of some of Japanese cinema’s biggest box-office successes and most eccentric off-genre sorties, longtime Nikkatsu studios mainstay Koreyoshi Kurahara (1927–2002) was a filmmaker with two opposite yet inseparable signature points of view....

Jan 17, 2018 “My appreciation for his inspiring and innovative cinema grows deeper as the years go by,” writes Mehrnaz Saeed-Vafa in an essay that Jonathan Rosenbaum’s posted on his site, “Reflections on Kiarostami’s Two-Way Mirrors.” A new and expanded edition of their...

Apr 17, 2018 Up at the top, that’s Behnaz Jafari and Jafar Panahi in Panahi’s 3 Faces, which is slated to premiere in Competition in Cannes next month. Film Comment points us to an interview with Panahi in the latest issue of World...

Mar 17, 2020 Released in, or rather let loose upon, the first year of the new millennium, Spike Lee’s febrile and ferocious media satire Bamboozled—the fifteenth feature-length “joint” of a prolific career—found its writer-director in an unflinching mode and an unforgiving mood. According...

Feb 13, 2025 Isolated sequences are dazzling, but as a whole, The Light may be difficult to buy into.

Coming Attractions

The Daily

May 18, 2021 Here’s an update on what Bong Joon Ho, Margarethe von Trotta, David Cronenberg, Alice Rohrwacher, and Wes Anderson are up to.

May 3, 2018 Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.

Oct 4, 2013 This fascinating first contact between Roberto Rossellini and Ingrid Bergman kicked off one of cinema’s greatest—and most controversial—love affairs.

Feb 12, 2013 The Dardenne brothers return to the streets of Seraing for a typically humane and suspenseful story of personal redemption.

Modern Italians

The Daily

Jan 14, 2026 There’s a Visconti retrospective on in Vienna, a restored Comencini in New York, and films by Antonioni, Olmi, and Bertolucci will screen at Harvard.

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