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The Queen

Sep 5, 2017 Writing for Screen, Jonathan Romney takes on the latest film by Stephen Frears: “Judi Dench as a weary Queen Victoria whose joie de vivre is restored by the tender attentions of a devoted servant. . . . Yes indeed, we...

Sep 4, 2017 “Some films have a heat that makes you shrink from the cinema screen,” begins the Telegraph’s Robbie Collin, “After this morning’s screening of Three Billboards Outside Ebbing, Missouri, I had to check my eyebrows were still intact. The British-Irish director...

Aug 17, 2017 “My first job out of UCLA Film School, at age twenty-two, was directing second unit on The Night of the Hunter for Charles Laughton.” So begins a collection of memories, pre-production sketches, and screenplay pages at the Talkhouse Film from...

Sep 23, 2015 Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.

Jun 5, 2014 The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.

Dec 2, 2013 With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.

Dukie

Features

Feb 23, 2012 Author John Voelker (a.k.a. Robert Traver) met musician Duke Ellington on the set of Anatomy of a Murder; he wrote this piece about the experience for the Detroit News Sunday Magazine in 1967.

Jubilee

Essays

May 26, 2003 Derek Jarman’s early film epitomizes the despairing and angry mood of Britain in the mid-seventies—a country facing economic recession, virtual war with the IRA, and an uncertain post-imperial future.

Jun 23, 2026 The only favor I ever asked of a twink was for tickets to see John Waters introduce two of his films. I was the sole trans filmmaker enrolled in my school’s program, and I felt it was my right to...

Oct 28, 2020 More than anything, Claudine felt like a reprieve; the film, directed by John Berry and released in 1974, gave audiences a compelling alternative depiction of Black life from those about Black drug lords and mafia dons fighting over real estate...

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